Crossfade looping is the best way to get seamless loops, but if this isn't possible, you can recreate the effect yourself by fading between two audio tracks in your mixer.ġ0. If you've got a sample that you want to play for longer than its duration, you have two basic options: you could timestretch it, which will most likely introduce unwanted audio artifacts, or loop it. "Recordings of natural sounds such as rainfall, waves, wind and fire are great for filling out a mix because they're basically noise"ĩ.
By subtly altering tuning, pulse width or filter cutoff over time, you can create more organic sounds that will enhance the mix rather than make it sound lifeless. If you're using long, sustained sounds, such as pads, your mix can lack movement if these elements are too static. This sounds artificial, but in a lo-fi way, and works especially well when teamed with a high-quality reverb.Ĩ.
Noise is a useful synthesis tool - if your synth features a noise oscillator, you can use it with a fast-attack amplitude envelope to create your own percussion sounds.
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